In order to learn a piece of music, we need to take into account a number of factors. The piece should be loud, the beats should be counted, and the notes should be articulated. A piece of music’s character is strongly influenced by its speed, one of the most important factors.
Western classical, jazz, and pop music call the speed of a piece the tempo in music, and we use a variety of terms to communicate what the tempo should be. Other terms describe speed as an approximate range of beats per minute (bpm), while others state speed as a specific number. Expressions of tempo can also take the form of expressive descriptions.
A common tempo term, allegro, means “cheerful” or “lively,” which, while not explicitly defining speed, implies the piece should be taken quickly. Due to centuries of performance and composition practices, performers today have a fairly specific idea of an allegro speed.
We’ll examine some of the most common methods for describing the tempo of music in this article. In this section, we’ll explain how and why they work.
What is Tempo Marking?
A tempo marking indicates when a piece of music should be played at a certain speed (called tempo). In tempo markings, there is usually a word that corresponds to a number, as shown below, or a beat per minute (bpm) value. In music, Allegro means fast, which is a tempo between 120 bpm and 168 bpm. It is possible for the composer to write Allegro or 120bpm. Tempo markings typically encompass a range between 120 and 168 beats per minute, which is very common in tempo markings. There is no restriction on where in this range a piece should be performed by a musician or conductor.
The composer will show you the note value that is receiving the beat if the tempo is written as beats per minute. Common time, for example, gave the beat to the quarter note. The tempo is normally notated as 120 bpm for quarter notes.
It is most common to see tempo markings written in Italian. These are some of the most common metronome mark ranges and tempo markings. There are a lot of words with -issimo or -etto at the end. -issimo means “extremely” and -etto meaning a “lesser version” of. As an example, Largo (slow) is extremely slow; Larghissimo is faster, while Larghetto is slower.
Where to Find Tempo Markings
In musical notation, tempo markings can be found anywhere speed needs to be changed or established. Tempo markings are most commonly found at the beginning of a piece, above the time signature and key signature:
The tempo markings for changing tempos are placed either next to the notes they’re changing on a single staff (usually above) or on the grand staff for piano music:
The speed of the piece can also be indicated by different tempo markings throughout the piece. An accelerando or ritardando might land in a new established tempo, which needs to be marked accordingly:
Similarly, tempo markings can be used to signal a return to the original tempo after speeding up or slowing down:
It is possible to use a brief pause in tempo as an expressive or practical tool. There is a common way to indicate a pause in tempo on a beat called a fermata, which is a symbol:
Several guidelines exist for how long a fermata should last, but in general the length is determined by the value of the note and the conductor’s preference.
Classifying Tempo Types With Tempo Markings
In addition to tempo markings, tempos can also be classified within specified ranges. Tempo markings are usually accompanied by a word in Italian, German, French, or English, which helps to indicate speed and mood.
These are some of the more traditional tempo indications, but keep in mind that different tempo expressions can be mixed and matched. The compositions of Gustav Mahler are a great example of classical music. To create a more descriptive direction, this composer sometimes combined German and Italian tempo markings.
Music is a universal language, so it’s important to understand each of these terms so you can play a piece the way it was intended with a speedy tempo execution.
Italian Tempo Markings
It’s important to note that some of the traditional Italian tempo markings correspond to a specific range. Music Tempo refers to the quality of the tempo rather than a set speed in other musical terms. It’s important to keep in mind that tempo markings music can refer not only to ranges, but also to the overall quality of the tempo.
Slow Tempo Markings
Tempo Marking | Translation |
---|---|
Larghissimo | Very, very slow |
Solenne/Grave | Slow and solemn |
Lento | Slowly |
Lentissimo | At a very slow tempo |
Largo | Broadly |
Larghetto | Rather broadly |
Adagio | At ease, slow and stately |
Adagietto | Rather slow |
Tranquillo | Tranquil, calmly, or peaceful |
Andante moderato | A bit slower than Andante |
Moderate Tempo Markings
Tempo Marking | Translation |
---|---|
Andante | At a walking pace, moderately slow |
Andantino | Slighlty faster and more light-hearted than Andante |
Moderato | Moderately |
Allegretto | Moderately fast, but less than allegro |
Fast Tempo Markings
Tempo Marking | Translation |
---|---|
Allegro moderato | Moderately quick, almost Allegro |
Allegro | Fast, quickly and bright |
Vivace | Briskly, Lively and fast |
Vivacissimo | Very fast and lively, faster than Vivace |
Allegrissimo or Allegro vivace | Very Fast |
Presto | Very, very fast |
Prestissimo | Faster than Presto |
Sometimes the composer will write the tempo in his or her native language (usually French, German, or English).
French Tempo Markings
Tempo | Translation |
Au mouvement | play the original or main tempo |
Grave | slowly and solemnly |
Largement | slowly |
Lento | slowly |
Modere | moderate tempo |
Rapide | fast |
Vif | lively |
Vite | lively |
German Tempo Markings
Tempo | Translation |
Kraftig | vigorous or powerful |
Langsam | slowly |
etwas breit | lively |
Lebhaft | lively (mood) |
MaBig | moderately |
Rasch | quickly |
Schnell | fast |
Bewegt | animated, with motion |
Additional Terms
Tempo | Translation |
A Picare | At pleasure |
Agitato | In an agitated manner |
Con Moto | With movement |
Assai | Very much |
Energico | With energy |
L’istesso | At the same speed |
Ma non troppo | Not too much |
Marcia | In the style of a march |
Molto | Very |
Meno | Less quickly |
Mosso | Animated rapid |
Piu | More |
Poco | A little |
Subito | Suddenly |
Tempo comodo | At a comfortable speed |
Tempo Di | At the speed of |
Tempo Giusto | At a consistent speed |
Tempo Semplice | Regular speed |
For more information watch the video
Ending Lines
When practicing music, students make the mistake of setting their metronome to the tempo marking and playing it. Using a metronome at a slower speed might work if the passage is simple (but then why are you practicing it? ), but a better approach is to slow the metronome by at least 20 bpm.
Play the passage at this slower tempo and see if you can play it perfectly. Play it through again after increasing the tempo by 2 to 4 BPM. The passage can be played perfectly 12 BPM faster than the tempo marking in the music by repeating this process. Playing through it confidently during a performance will require dexterity.